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Davinia Caddy

Davinia Caddy

,

Nicholas Boulton

Трек · 2023

While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite…

Davinia Caddy

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Davinia Caddy

Трек While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite…

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1

Трек While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite…

While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite…

,

Nicholas Boulton

Great Composers in Words & Music: Antonín Dvořák

2:47

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1

Трек Introduction

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Nicholas Boulton

0:07

2

Трек Slavonic Dances, Op. 72, B. 147 (Version for Orchestra): No. 1 in B Major (Excerpt)

Slavonic Dances, Op. 72, B. 147 (Version for Orchestra): No. 1 in B Major (Excerpt)

Antonín Dvořák

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Slovenská filharmónia

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3

Трек Bits and pieces are all we may know about the music of Antonín Dvořák

Bits and pieces are all we may know about the music of Antonín Dvořák

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Nicholas Boulton

4:03

4

Трек 10 Biblical Songs, Op. 99, B. 185: No. 4, Hospodin jest můj pastýř (Excerpt)

10 Biblical Songs, Op. 99, B. 185: No. 4, Hospodin jest můj pastýř (Excerpt)

Antonín Dvořák

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,

1:32

5

Трек The fourth of Dvořák's Ten Biblical Songs, titled "The Lord is my shepherd" and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible

The fourth of Dvořák's Ten Biblical Songs, titled "The Lord is my shepherd" and set to a well-known Psalm text from the traditional Czech translation of the Kralice Bible

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Nicholas Boulton

2:57

6

Трек 10 Biblical Songs, Op. 99, B. 185: No. 6, Slyš, ó Bože, volání mé (Excerpt)

10 Biblical Songs, Op. 99, B. 185: No. 6, Slyš, ó Bože, volání mé (Excerpt)

Antonín Dvořák

,

,

0:57

7

Трек Antonín Leopold Dvořák was born on 8 September 1841 in the village of Nelahozeves, near Kralupy, in Bohemia, approximately 28km north of Prague

Antonín Leopold Dvořák was born on 8 September 1841 in the village of Nelahozeves, near Kralupy, in Bohemia, approximately 28km north of Prague

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Nicholas Boulton

2:48

8

Трек Symphony No. 6 in G Major, Op. 116 "Historische Symphonie im Styl und Geschmack vier verschiedener Zeitabschnitte": IV. Allerneueste Periode, 1840. Allegro vivace (Excerpt)

Symphony No. 6 in G Major, Op. 116 "Historische Symphonie im Styl und Geschmack vier verschiedener Zeitabschnitte": IV. Allerneueste Periode, 1840. Allegro vivace (Excerpt)

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Slovak State Philharmonic Orchestra

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0:37

9

Трек Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote…

Reflecting on this period of the composer's life, Zubatý (the Czech writer mentioned previously) wrote…

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Nicholas Boulton

2:30

10

Трек Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": II. Adagio molto (Excerpt)

Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": II. Adagio molto (Excerpt)

Antonín Dvořák

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Slovenská filharmónia

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Stephen Gunzenhauser

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11

Трек Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition…

Dvořák's first symphony, composed between February and March 1865, began life as a submission to a German composition competition…

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Nicholas Boulton

1:34

12

Трек Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": I. Maestoso - Allegro (Excerpt)

Symphony No. 1 in C Minor, B. 9 "The Bells of Zlonice": I. Maestoso - Allegro (Excerpt)

Antonín Dvořák

,

Slovenská filharmónia

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Stephen Gunzenhauser

1:47

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Davinia Caddy
While this style of music might be regarded, somewhat cynically, as a kind of opportunistic "tourist nationalism" (to quote a recent historian), listeners in Dvořák's time thought the very opposite…

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