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Harry Partch
Horace Schwartz
John Garvey
Альбом · 2000
Артист
#
Название
Альбом
1
I am Harry Partch
Partch, H.: Historic Speech Music Recordings (Enclosure 2)
0:24
2
By the Rivers of Babylon
,
Lee Hoiby
William Wendlandt
Christine Charnstrom
3:26
3
Texts and Music: A Wagnerian Wrestling Match
1:22
4
17 Lyrics of Li Po: A Dream
William Wendlant
4:34
5
17 Lyrics of Li Po: An Encounter in the Field
0:47
6
17 Lyrics of Li Po: On Hearing the Flute
1:00
7
17 Lyrics of Li Po: The Intruder
1:10
8
17 Lyrics of Li Po: I am a Peach Tree
1:26
9
17 Lyrics of Li Po: With a Man of Leisure
10
17 Lyrics of Li Po: A Midnight Farewell
1:19
11
17 Lyrics of Li Po: Before the Cask of Wine
2:10
12
17 Lyrics of Li Po: On the Ship of Spicewood
2:31
13
17 Lyrics of Li Po: By the Great Wall
1:56
14
The Use of English in Serious Music
0:57
15
Barstow: 8 Hitchhikers' Inscriptions
8:26
16
San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
2:29
17
Life is too precious to spend it with important people
1:29
18
US Highball: a Musical Account of a Transcontinental Hobo Trip
Fralia Hancock
26:46
19
My Heart Keeps Beating Time
Philip Blackburn
Liz Schmidt
1:36
20
San Francisco II
Arun Chandra
Mark Enslin
Keith Johnson
Rick Burkhardt
Lesley Olson
Sarah Wiseman
2:50
21
I'm going to start right off by giving you some sounds…
0:30
22
2 Settings from Finnegans Wake: No. 1. Isobel
Lola Harding
Dorothy Holden
Hilmar Luckhardt
2:53
23
2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful
2:20
24
Dark Brother
7:37
25
A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
2:14
26
A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
6:05
27
A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
1:05
28
A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
1:35
29
A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
1:07
30
A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
0:53
31
A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
1:24
32
A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
1:52
33
A Quarter-Saw Section of Motivations and Intonations: Close Degrees
1:08
34
A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
1:23
35
A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
2:25
36
A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
2:27
37
A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods…"
3:56
38
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods…"
2:39
39
A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again…"; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
4:04
40
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom…", U.S. Highball, "Back to the freights for you, boy."
1:45
41
A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched
6:12
42
A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
10:42
43
A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
6:52
44
Bitter Music: June 11, 1935 — Santa Rosa, California
Warren Burt
Sheila Guymer
0:27
45
Bitter Music: June 12 — Federal Shelter, Stockton
3:36
46
Bitter Music: June 13
1:28
47
Bitter Music: June 14
2:22
48
Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
3:27
49
Bitter Music: June 17
0:26
50
Bitter Music: July 4
3:50
51
Bitter Music: July 14
0:49
52
Bitter Music: July 16
1:16
53
Bitter Music: July 19
1:11
54
Bitter Music: July 20 — Heading North, Between Sacramento and Redding
2:23
55
Bitter Music: July 24 — Federal Shelter, Portland
56
Bitter Music: July 25 — Blue Ox Lodge, Seattle, Washington
6:15
57
Bitter Music: July 27
0:33
58
Bitter Music: July 29
59
Bitter Music: July 30
0:28
60
Bitter Music: August 7 — Between Grants Pass and Klamath Falls, Oregon
61
Bitter Music: August 15
1:30
62
Bitter Music: October 22 — Nearing Monterey
5:01
63
Bitter Music: October 24 — Leaving Big Sur
2:32
64
Bitter Music: October 25 — Near Slate's Hot Springs
2:56
65
Bitter Music: October 26
1:21
66
Bitter Music: October 27
0:35
67
Bitter Music: October 28
0:17
68
Bitter Music: October 29
1:27
69
Bitter Music: October 30 — Big Creek
70
Bitter Music: November 12 — Santa Barbara
71
Bitter Music: November 14
72
Bitter Music: November 15 — Leaving Santa Barbara
4:17
73
Bitter Music: November 16 — Ojai
0:56
74
Bitter Music: November 17
1:02
75
Bitter Music: November 23 — Los Angeles
76
Bitter Music: November 28
0:18
77
Bitter Music: December 4
0:42
78
Bitter Music: December, 1935
8:44
79
Bitter Music: February 1, 1936 — San Bernardino
4:00
80
Yankee Doodle Birds
0:37
81
Yankee Doodle Fantasy
Don Thompson
3:57
82
2 Settings from Lewis Carroll: O Frabjous Day!
Danlee Mitchell
3:12
83
You are charged with being guilty. Are you drunk or not?
84
Ring Around the Moon, a Dance Fantasm for Here and Now
Gate 5 Ensemble
Lynn Ludlow
9:03
85
Bless This Home
Vincenzo Prockelo
Joseph Varhula
3:25
86
Harrys Wake
46:25
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